«La primera obligación de todo ser humano es ser feliz, la segunda es hacer feliz a los demás»
Sunday, February 22, 2015
Wednesday, February 18, 2015
¿Quiénes son los muertos?
No son los muertos los que en dulce calma
la paz disfrutan de la tumba fría,
muertos son los que tienen muerta el alma
y viven todavía.
No son los muertos, no,
los que reciben rayos de luz en sus despojos
yertos.
Los que mueren con honra son los vivos,
y los que viven sin honra son los muertos.
Por eso, hay muertos que en el mundo viven
y hombres que viven en el mundo, muertos.
-Ricardo Palma
--There are people whom although live are truly dead, and others who have died but continue to live and survive--
Literary Terms #6
simile - noun a figure of speech that expresses a
resemblance between things of different kinds
soliloquy - noun a (usually long) dramatic speech
intended to give the illusion of unspoken reflections; speech you make to
yourself
spiritual - adj. noun a kind of religious song, folk
song
speaker - noun speaker; narrator
stereotype - noun a conventional or formulaic
conception or image; cliché
stream of consciousness – attempts to imitate flow of
thoughts, feelings, and images as occurring in one’s mind
structure - noun the manner of construction of
something and the arrangement of its parts
style - noun a way of expressing something (in
language or art or music etc.) that is characteristic of a particular person or
group of people or period
subordination - noun the semantic relation of being
subordinate or belonging to a lower rank or class
surrealism - noun a 20th century movement of artists
and writers (developing out of dadaism) who used fantastic images and
incongruous juxtapositions in order to represent unconscious thoughts and
dreams
suspension of disbelief – suspend not believing in
order to enjoy it
symbol - noun an arbitrary sign that has acquired a
conventional significance
synesthesia - noun a sensation that normally occurs
in one sense modality occurs when another modality is stimulated
synecdoche - noun substituting a more inclusive term
for a less inclusive one or vice versa
syntax - noun the grammatical arrangement of words in
sentences
theme - noun a unifying idea that is a recurrent
element in a literary or artistic work
thesis - noun an unproved statement put forward as a
premise in an argument
tone - noun used to create mood and atmosphere of
literary work; author’s perceived point of view
tongue in cheek – humor in which speaker feigns
seriousness
tragedy - noun drama in which the protagonist is
overcome by some superior force or circumstance; excites terror or pity
understatement - noun a statement that is restrained
in ironic contrast to what might have been said
vernacular - adj. being or characteristic of or
appropriate to everyday language; noun the everyday speech of the people (as
distinguished from literary language)
voice - noun textual features that convey a writer’s
or speaker’s persona
zeitgeist - noun the spirit characteristic of an age
or generation
Monday, February 16, 2015
Aldous Huxley
I was searching a few things about Aldous Huxley, and came
across this quote.
“The real hopeless victims of mental illness are to be found
among those who appear to be most normal. "Many of them are normal because
they are so well adjusted to our mode of existence, because their human voice
has been silenced so early in their lives, that they do not even struggle or
suffer or develop symptoms as the neurotic does." They are normal not in
what may be called the absolute sense of the word; they are normal only in
relation to a profoundly abnormal society. Their perfect adjustment to that
abnormal society is a measure of their mental sickness. These millions of
abnormally normal people, living without fuss in a society to which, if they
were fully human beings, they ought not to be adjusted.”
Now, I have already read Brave New World and did enjoy it
greatly. It's one of those books that you would gladly read again because you
know that you can extract something new from it each time you open it. I
observed that a main underlying theme in both the book and in the quote above
is the conformity of an individual to society and the thereof loss of humanity.
We cannot simply adjust to an environment which we disagree with simply because
it it expected of us, we must utilize what makes us different in order to
obtain what is best for us. We believe we find comfort and stability in fitting
in with a specific pattern and merging with the crowd, but in reality we only
lose the most important part of ourselves. In Brave New World my favorite
character by far was John because he saw a world in which although happiness
reigned it was false and where there was no individual but only a mass, and he
detested it. He tried to fight against it, stood up to it alone and when he
could not defeat it he resorted to suicide. Death was a worthy alternative to
losing oneself in such a sick society.
The Love of Learning
Learning has lost its value for some people. It has become that requirement that we must all meet in order to move on to the more interesting parts of our lives. Most no longer go to school excited, wishing to learn more about algebra or history. It has become more of a mechanized routine: sit down, take notes, cram everything into your head, pass the test, and forget it all. I admit that this has also occurred to me, not because I dislike learning, but because I have lived with a false definition of learning for so long. Most of my life I have believed learning consisted of memorizing information that others wanted me to, of researching topics that we need to know in order to survive in our society. That is far from what learning truly is.
Learning should arouse excitement, it should make you wake up every morning eager to start a new day. Learning should be shaped around your interests and should be devoted to that which catches your attention. It should keep you up at night and make you forget about whether or not you have eaten in the past six hours. If learning is pure and consistent it can be innovative. It will bring about changes because it will come from individuals whom experience changes everyday and whom embrace new things with passion.
There was a specific line in the interview that really struck a chord. "You can't take a human being and put them to work at a job that under uses the brain and keep them working at it for decades and decades and then say 'well that job isn't there, go do something more creative'. You have beaten the creativity out of them." I, for one, am that kind of person that states that they are not creative at all. I cringe when asked to draw a picture and get frustrated when I cannot see shapes in the clouds. I admit that I have not felt excited about learning as I once did. Now I begin to question whether I have been using my brain correctly all this time, whether I have been learning what truly interests me. That then leads to a different question, how do I know what interests me and not the system that has influenced us all in different but inevitable ways? I want to feel excited again. I do get glimpses of it every once and a while, but I want it to accompany me all of my life.
Literary Terms #5
parallelism - noun similarity by virtue of corresponding
parody - noun humorous or satirical mimicry; a composition
that imitates somebody's style in a humorous way
pathos - noun a style that has the power to evoke feelings
pedantry - noun a display of learning for its own sake
personification - noun the act of attributing human
characteristics to abstract ideas
plot - noun a secret scheme to do something ; the story that
is told in a novel or play or movie etc
poignant - adj. keenly distressing to the mind or feelings;
arousing sorrow/sentiment
point of view – the physical point from which the observer
views what he is describing
postmodernism - noun genre of art and literature and
especially architecture in reaction against principles and practices of
established modernism
prose - noun ordinary writing as distinguished from verse;
matter of fact, commonplace, or dull expression
protagonist - noun the principal character in a work of
fiction
pun - noun a humorous play on words
purpose - noun an anticipated outcome that is intended by
the author
realism - noun artists and writers strove for detailed realistic
and factual description
refrain - noun recurring phrase or verse in song; chorus
requiem – noun a song or hymn of mourning composed or
performed as a memorial to a dead person
resolution - noun denouement; problem in a story or literary
work is worked out
restatement - noun a revised statement
rhetoric – noun using language effectively to please or
persuade
rhetorical question – question that does not require an
answer; used in argument or persuasion
rising action – advancement towards climax; plot build-up
romanticism - noun a movement in literature and art during
the late 18th and early 19th centuries that celebrated nature rather than
civilization; reason over fact
satire - noun witty language used to ridicule weakness and
wrongdoings of humanity
scansion - noun analysis of verse into metrical patterns
setting - noun the context and environment in which
something is set
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